Permission for Use and Modification Without Distribution "Compiled" form means the compiled bytecode, object code, binary, or any other form resulting from mechanical transformation or translation of the Source form. "Source" form means the source code, documentation source, and configuration files for the Package. "Original License" means this Artistic License as Distributed with the Standard Version of the Package, in its current version or as it may be modified by The Perl Foundation in the future. "Modified Version" means the Package, if it has been changed, and such changes were not explicitly requested by the Copyright Holder. "Standard Version" refers to the Package if it has not been modified, or has been modified only in ways explicitly requested by the Copyright Holder. "Distributor Fee" means any fee that you charge for Distributing this Package or providing support for this Package to another party. "Distribute" means providing a copy of the Package or making it accessible to anyone else, or in the case of a company or organization, to others outside of your company or organization. A given Package may consist of either the Standard Version, or a Modified Version. "Package" means the collection of files distributed by the Copyright Holder, and derivatives of that collection and/or of those files. "You" and "your" means any person who would like to copy, distribute, or modify the Package. "Contributor" means any party that has contributed code or other material to the Package, in accordance with the Copyright Holder's procedures. "Copyright Holder" means the individual(s) or organization(s) named in the copyright notice for the entire Package. If the terms of this license do not permit the full use that you propose to make of the Package, you should contact the Copyright Holder and seek a different licensing arrangement. You are always permitted to make arrangements wholly outside of this license directly with the Copyright Holder of a given Package. The intent is that the Copyright Holder maintains some artistic control over the development of that Package while still keeping the Package available as open source and free software. This license establishes the terms under which a given free software Package may be copied, modified, distributed, and/or redistributed. And that’s exactly the way it should be.Copyright (c) 2000-2006, The Perl Foundation.Įveryone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed. Whatever happens in the next 12 months, it’s clear our artistic and cultural scene will continue to grow and inspire. It’s a fantastic project and one which is making a real difference. It runs in some of Scotland’s most deprived areas and has brought about impressive changes to people’s lives, all through music. This is an orchestra programme that aims to use music making to foster confidence, teamwork, pride and aspiration in the children taking part – and across their wider community. However, for me, few things sum up the importance of culture than the Big Noise project. The opening ceremony itself, while parts of it were undoubtedly fairly eccentric and eye popping (dancing teacakes, I’m looking at you), was still a great showcase of Scottish talent. Setting aside Scotland’s impressive medals haul, the myriad of theatre, music and other artistic events which have been brought about by the Games has been truly inspiring. The Commonwealth Games have provided so many opportunities for praise that it’s hard to fit it all into one small column. While this terrible event drove home just how much we value our cultural history and our ability to nurture talent, it was another Glasgow-centred event which showed Scotland’s place in the wider global cultural world. It was only thanks to the skill and bravery of the fire services that the building itself and most of its contents survived in any shape or form. Anyone with any interest in Scotland’s arts world, or indeed Glasgow, couldn’t help but feel the collective horror as the flames licked that iconic building and smoke belched from blackened windows. While I’ve already spoken at length about this in my overview piece, you can’t mention 2013/14 in cultural terms without mentioning the fire at Glasgow School of Art. It’s been an interesting task and one made all the more compelling by how packed and busy the past 12 months have been in this particular brief. But for this publication, I’ve been asked to take a brief hiatus and take a closer look at culture and external affairs. As many of you will know, I’m usually to be found over on the local government pages, posing questions about the nature of local democracy and grilling councillors and council leaders.
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